“Essentially, we cheat up to the level that allows us to retain our self-image as reasonably honest individuals.”
— Dan Ariely
In his book, The (Honest) Truth About Dishonesty: How We Lie to Everyone—Especially Ourselves, Dan Ariely attempts to answer the question: “is dishonesty largely restricted to a few bad apples, or is it a more widespread problem?”
We're mostly honest, as long as the conditions are right
We are going to take things from each other if we have a chance … many people need controls around them for them to do the right thing. … [T]he locksmith told Peter that locks are on doors only to keep honest people honest. “One percent of people will always be honest and never steal,” the locksmith said. “Another one percent will always be dishonest and always try to pick your lock and steal your television. And the rest will be honest as long as the conditions are right—but if they are tempted enough, they’ll be dishonest too. Locks won’t protect you from the thieves, who can get in your house if they really want to. They will only protect you from the mostly honest people who might be tempted to try your door if it had no lock.”
Fudge factor theory
as long as we cheat by only a little bit, we can benefit from cheating and still view ourselves as marvelous human beings. This balancing act is the process of rationalization, and it is the basis of what we’ll call the fudge factor theory.
Something that stood out for me was the chapter on the relationship between creativity and dishonesty. According to Ariely, the link between creativity and dishonesty is not as straightforward as we might think — The more creative we are the better we are at rationalizing dishonest behavior.
We may not always know exactly why we do what we do, choose what we choose, or feel what we feel. But the obscurity of our real motivations doesn’t stop us from creating perfectly logical-sounding reasons for our actions, decisions, and feelings.
… We all want explanations for why we behave as we do and for the ways the world around us functions. Even when our feeble explanations have little to do with reality. We’re storytelling creatures by nature, and we tell ourselves story after story until we come up with an explanation that we like and that sounds reasonable enough to believe. And when the story portrays us in a more glowing and positive light, so much the better.
… sometimes (perhaps often) we don’t make choices based on our explicit preferences. Instead, we have a gut feeling about what we want, and we go through a process of mental gymnastics, applying all kinds of justifications to manipulate the criteria. That way, we can get what we really want, but at the same time keep up the appearance — to ourselves and to others — that we are acting in accordance with our rational and well-reasoned preferences.
…the difference between creative and less creative individuals comes into play mostly when there is ambiguity in the situation at hand and, with it, more room for justification… Put simply, the link between creativity and dishonesty seems related to the ability to tell ourselves stories about how we are doing the right thing, even when we are not. The more creative we are, the more we are able to come up with good stories that help us justify our selfish interests.
Our storytelling nature:
We’re storytelling creatures by nature, and we tell ourselves story after story until we come up with an explanation that we like and that sounds reasonable enough to believe. And when the story portrays us in a more glowing and positive light, so much the better.
Creativity and storytelling
Creativity can help us tell better stories — stories that allow us to be even more dishonest but still think of ourselves as wonderfully honest people.
Generally speaking, if you wear down your willpower, you will have considerably more trouble regulating your desires, and that difficulty can wear down your honesty as well.
The idea that worries me the most
From all the research I have done over the years, the idea that worries me the most is that the more cashless our society becomes, the more our moral compass slips.
Ariely ultimately concludes:
Just as creativity enables us to envision novel solutions to tough problems, it can also enable us to develop original paths around rules, all the while allowing us to reinterpret information in a self-serving way… [C]reativity can help us tell better stories — stories that allow us to be even more dishonest but still think of ourselves as wonderfully honest people.